Comparing Sonodyne PM 100V2 vs. PM 50V2 Specs & Differences

When it comes to setting up a studio, whether professional or personal, the choice of monitors can make or break the audio experience. Sonodyne, a brand synonymous with quality and precision in the audio world, offers many options. Today, we’ll delve into two of their popular models: the PM 100V2 and the PM 50V2.

Related Reading: Sonodyne PM4040 vs PM50

Introduction

Studio monitors are the unsung heroes of any audio setup. They provide the clarity, depth, and precision that artists, producers, and audiophiles crave. Sonodyne’s PM series has been a go-to choice for many and for a good reason. The PM 100V2 and PM 50V2 promise an unparalleled listening experience, but how do they stack up against each other?

Key Differences at a Glance: Sonodyne PM 100V2 vs. PM 50V2

Deep Dive

PM 100V2: This model boasts a 6″ woofer, ensuring deeper bass tones and a richer sound profile. With a maximum SPL of 106dB, it’s designed for those who crave louder volumes without compromising on clarity. Its broader frequency response ensures that you capture every nuance, from the lowest bass notes to the highest treble.

PM 50V2: Compact and efficient, the PM 50V2 is perfect for smaller studios or desktop setups. While it might have a smaller woofer and a slightly narrower frequency response, it doesn’t skimp on quality. It’s energy-efficient, lightweight, and still packs a punch with its sound output.

Comparison table between the Sonodyne PM 100V2 vs PM 50V2:

Feature/Specification	PM 100V2Check on Amazon	PM 50V2 Check on Amazon
Description	2-way active monitor	2-way active monitor
Transducer Complements	LF: 6″ injection-molded PP cone woofer	LF: 5″ injection-molded PP cone woofer
	HF: 26mm silk-dome neodymium magnet tweeter	HF: 26mm silk-dome neodymium magnet tweeter
Enclosure Type	Vented through rear-firing aerodynamic port	Vented through rear-firing aerodynamic port
Enclosure Material	MDF	MDF
Overall Frequency Response	65Hz ~ 20kHz, (±3dB)	75Hz ~ 20kHz, (±3dB)
Usable Frequency Response	55Hz ~ 22kHz, (±10dB)	65Hz ~ 22kHz, (±10dB)
Max SPL at Half-Space	106dB	104dB
Crossover Frequency	2.5kHz	2.5kHz
Amplifier Power Before Clipping	LF: 80W HF: 50W	LF: 45W HF: 45W
Amplifier Type	Class D	Class D
S/N Ratio (at Unity Gain)	>90 dB, referred to as full output	>90 dB, referred to as full output
THD at Rated Power	<0.04 %	<0.04 %
CMRR	>65dB	>65dB
Input Level for 90dB SPL at 1M	0dBU	0dBU
Input Impedance	22KΩ	22KΩ
Controls	Input: One fully balanced XLR socket,	Input: One fully balanced XLR socket,
	One unbalanced RCA socket	One unbalanced RCA socket
Gain Control Range	70dB to +6dB	70dB to +6dB
Bass Tilt	-2dB , -4dB , -6dB @ 80Hz	-2dB , -4dB , -6dB @ 80Hz
Treble Tilt	-2dB @ 15kHz	-2dB @ 15kHz
Bass Roll-Off	100Hz, 6dB/ octave	100Hz, 6dB/ octave
Controls & Switches (Rear)	Power switch, volume control,	Power switch, volume control,
	4 DIP switches for bass/ treble tilts	4 DIP switches for bass/ treble tilts
	& bass roll-off	& bass roll-off
Indicators	Power ON /OFF, Overvoltage protect	Power ON /OFF, Overvoltage protect
General Power Requirement	230VAC, ±10%, 50Hz	230VAC, ±10%, 50Hz
Power Consumption	150VA Max.	100VA Max.
Protection	Over current, Overheat, RFI,	Over current, Overheat, RFI,
	Switch on/ off, Mains overvoltage	Switch on/ off, Mains overvoltage
Finish	Black PVC with black painted front	Black PVC with black painted front
Dimensions (WxHxD)	220 x 332 x 240	194 x 306 x 210
Net Weight	10.0kg	6.3kg

Note: This table provides a side-by-side comparison of the two models based on their technical specifications.

Sonodyne PM 100V2:

Pros:

1. Larger Woofer: A 6″ woofer will likely deliver a more profound bass response.
2. Higher Max SPL: This can achieve up to 106dB, making it suitable for louder monitoring without distortion.
3. More Power: Before clipping for the LF, the amplifier power is 80W, and HF is 50W, which means it can handle louder volumes without distorting.
4. Wider Usable Frequency Response: Ranges from 55Hz to 22kHz, providing a broader sound spectrum.
5. Higher Power Consumption: While this might seem like a con, higher power consumption can indicate more robust internal components and better performance.

Cons:

1. Size & Weight: Being more prominent and heavier, it might not be suitable for smaller studios or those needing portability.
2. Higher Power Consumption: Using extensively can lead to slightly higher electricity bills.
3. Price: Generally, larger monitors with better specifications are more expensive (though the exact price wasn’t provided).

Sonodyne PM 50V2:

Pros:

1. Compact Size: Its smaller dimensions make it more suitable for close studios or desktop setups.
2. Lighter Weight: At 6.3kg, moving around or mount is easier.
3. Sufficient Power: With 45W for both LF and HF, it’s suitable for most home studios and personal use.
4. Energy Efficient: Lower power consumption compared to the PM 100V2.

Cons:

1. Smaller Woofer: The 5″ woofer might not deliver as deep a bass response as the 6″ in the PM 100V2.
2. Lower Max SPL: A max SPL of 104dB means it might not be as loud as the PM 100V2 before distorting.
3. Narrower Usable Frequency Response: Ranges from 65Hz to 22kHz, which might miss out on some of the lower frequencies.

Conclusion

In the realm of studio monitors, the intricacies in design and technology can make a world of difference in sound output and user experience. Sonodyne’s PM 100V2 and PM 50V2, while both exemplary in their own right, cater to distinct needs and preferences. The choice between them isn’t merely about size or power but about aligning with one’s specific studio requirements and sonic goals.

As with any investment in audio equipment, it’s essential to weigh the pros and cons, understanding that the best monitor is not necessarily the most powerful or expensive but the one that fits seamlessly into your workflow and enhances your auditory journey. Ultimately, it’s about finding that perfect harmony between technology and artistry.

Online Sources – PM100V2, PM50v2